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Rachel Stevens English Coursework Comparing Two Film Versions of 'Lord of the Flies' Q. There have been two film versions of the novel 'Lord of the Flies'. Compare and contrast the openings of these films in terms of sound, camera shot, lighting, editing and characterisation. Which in your opinion makes the more effective opening and why? In the last forty years there have been two film releases of Sir William Golding's best selling novel, 'Lord of the Flies.' To help me answer the question I closely watched the first five minutes of both of these films and made notes of what I could see and hear. I also observed the lighting effects, camera shots and editing of both productions. The first film was made in 1963 and was directed by Peter Brook. The opening five minutes of this black and white version starts with a montage of images of a public school to try and show the background of the children. It includes pictures of school photos, of children working in classrooms, choir boys singing and children playing cricket. It highlights the fact that they are simply children, which later in the film seems often hard to believe. The pictures are meant to emphasise the civilised life that the boys once had in a society of sophistication. However, suddenly this cultured and civilised society is under threat. The photo of the boys playing cricket dramatically cuts back and forth with pictures of nuclear weapons. This represents the war that had started and the fear of an atomic war that faced many. The mood of the collage changes and the photos change from happy pictures of children playing and working at school, to photos of London being bombed and children being evacuated. Then the title sequence starts with the titles in white writing with a black background upon pictures of planes flying in the sky. . read more.
Just before the end of the first five minutes, some dialogue between Piggy and Ralph is used when Piggy talks about his asthma. You can immediately tell from their voices that Piggy is very different from Ralph. Ralph sounds very upper-class whilst Piggy sounds very common. This is just one of the factors which the other boys despise about Piggy. In comparison, the 1990 version makes similar use in the nature sounds however the different aspects in the film means that different noises are used. The film starts with an under water scene of a pilot's body sinking and a boy struggling to pull him back up to the surface. The sound of this is muffled to create the underwater feel. There is also a very eerie use of non-diagetic music to enhance this underwater and struggling environment. Above the water's surface the diagetic sound, of the boys frantically trying to keep their heads above the water is suddenly much louder. Other uses of diagetic sound are the sound of the water, the boys choking and shouting and the loss of pressure of a life boat being inflated. The title sequence then begins. Dramatic music plays whilst the titles fade on and off. The music sounds almost military like because a snare drum is used, yet there is also another instrument, possibly a piccolo, which makes this military music sound rather childish. If you think about the music and block out the noise of the snare drum, the music sounds very traditional and orchestral. Nearer the end of the title sequence the music gets more up key and sounds a little more primitive, like the 1963 version. It almost seems as though the music is telling a story in miniature, the military music represents the respectful military boys which they were before they crashed on the island, and when the music turns more primitive it is like when the boys turned into savages. . read more.
The black and white film was made a short ten years after the book was written so it is not surprising that it is close to the novel. On the back of the video cover it describes the film as being 'based on the novel,' whereas on the back of Harry Hook's video cover the film is described as being 'from the novel'. In other words the colour version started with the storyline of the novel but went away from it. Although some viewers prefer this version to the original black and white one from 1963, finding it far more realistic and exciting, others are more satisfied with the lesser commercial or speculative realities that clearly dominate the 60's version. The story is just as compelling in either version. Harry Hook's adaptation is not as faithful to the William Golding novel as you would wish (they excised the Lord of the Flies dialogue with Simon) and because of it, the movie is less allegorical and less resonant. Also, Peter Brook's 1963 filming seemed to get closer to the Darwinist sense of this cultural disintegration. Here, the hunter faction seems more like Peter Pan's Lost Boys than the bloodthirsty murderers they are. However, the staging of this story is fairly straightforward. The kids crawl up on the sand, their clothes gradually grow more tattered, they light a signal fire and then fight over who will tend it, they fight for possession of the knife and a pair of glasses that can be used to start fires, and they draw the battle lines between their two camps. Although the second film is more modern and has certain advantages because it is in colour, I find the 1963 production much more effective. This is mostly because it is closest to the novel whereas the second film seems very different. I think the colour version has travelled to far away from the storyline it is showing and therefore I much prefer the 1963 version which is much more faithful to Golding's book. . read more.
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Women outside the family are seen as sexual objects and are exploited and taken advantage of. A typical example of this is in the opening wedding scene when Sonny takes one of the bridesmaids upstairs to a bedroom for his own selfish pleasure.
When Timbalt, the capulets leader arrived on scene, there was a lot of close ups involved especially on Benvolio's face as you could sense the fear within his face as Timbalt pointed his gun at him. Unlike The Luhrman Version, Zefferlli's film is very slow starting.
The raft is a sign of safety; it is recognition that the boys might survive. There is a jump cut to "LORD OF THE FLIES" the main title in the centre of the screen silver textured words on a black background.
In the documentary 'Chasing The Light' (made for the BBC who co-funded the film) we see the filming of this sequence. It took 15 takes in 32-degree heat to get the perfect shot. Imagine being Steadicam operator Andy Shuttleworth carrying that heavy load for all that time.
What is the effect in the artwork from the use of the above devices. SUBJECTIVE FRAME: Ask yourself questions like - Is the artwork about a shared human experience. Can you see any evidence of intuition, imagination.
Both of these "character's accusations result in the spread of fear, havoc and confusion" (Whitehead). The alien take-over of an entire community by seed pods from outer space who replicate humans as they sleep and transform them into "perfect, emotionless, vegetable doubles" clearly represented the threat of communism (Hoberman, 186).
They hold meetings to decide what to do. They establish a division of labor, with Jack and the choir being hunters and others building shelters. Most importantly they establish rules to maintain order. Anyone who wishes to speak must hold a conch.Looking for expert help with your Media Studies work?
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Below is a free excerpt of "English Analysis Guide" from Anti Essays, your source for free research papers, essays, and term paper examples.
A DUMMY’S GUIDE TO…
GETTING THE BEST GRADE FOR A1 ENGLISH!
This is a guide to what you might look for in analysing literature, particularly poetry and fiction. An analysis explains what a work of literature means, and how it means it. This Guide contains the following major sections: Analysis of poetry Analysis of fiction Writing an analytical essay
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I: CRITICAL ANALYSIS OF POETRY
The process of analysing a poem The elements of analysis discussed below are designed to help you identify the ways in which poetry makes its meaning, especially its 'parts'; they do not give a sense of how one goes about analysing a poem. It is difficult to give a prescription, as different poems call on different aspects of poetry, different ways of reading, different relationships between feeling, images and meanings, and so forth. My general advice, however, is this:
1. look at the title
2. read the poem for the major indicators of its meaning -- what aspects of setting, of topic, of voice (the person who is speaking) seem to dominate, to direct your reading?
3. read the ending of the poem -- decide where it 'gets to'
4. divide the poem into parts: try to understand what the organization is, how the poem proceeds, and what elements or principles guide this organization (is there a reversal, a climax, a sequence of some kind, sets of oppositions?) 5. pay attention to the tone of the poem -- in brief, its attitude to its subject, as that is revealed in intonation, nuance, the kind of words used, and so forth.
6. examine the kind of imagery used, or the way it uses oppositions, or the level of realism or symbolism of its use of the natural world.
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Elements of analysis
Here then are some questions to apply to your analysis in order to see how the poem is making its meaning: 1. What is the genre, or form, of the poem? Is it a.
This Essays Film:Analysis: The Life Of David Gale and other 60,000+ term papers, college essay examples and free essays are available now on ReviewEssays.com
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The debate about whether capital punishment should be used has raged incessantly since it was reinstituted in the Democratic United States in 1976. The latest statistics on the death penalty reveal that 71% of Americans favor it for citizens convicted of murder, while 26% oppose it. Although the United States doesn't lead the world in total numbers of executions per year, it is within the top five. Of all the 38 states that still have capital punishment California leads with the most inmates on death row at 639 and Texas following with 447. California along with a growing number of several other states is reluctant to carry out its executions with only 11 since reinstitution. Texas is the number one state that carries out its executions in the country with 339 executions since 1976. The second state leading in executions is Virginia with a substantially lower number of 94. With the advent of DNA the evidence of innocent citizens being put to death has come to light and calls for protest and even abolition of the death sentence. Austin being the capital of Texas rears a hotbed for protest against this policy of punishment (Death Penalty Fact Sheet).
In February of 2003, director Alan Parker with Dirty Hands Productions released The Life of David Gale, written by former philosophy professor Charles Randolph. The script was originally made to star co-producer Nicolas Cage before prior commitments. The Life of David Gale stars Kevin Spacey as Dr. David Gale, Laura Linney as a fellow anti-death penalty activist,
Constance Harraway, and Kate Winslet as the popular journalist from a major news magazine, Bitsey Bloom ("The Life of David Gale" All Movie Guide). I viewed this film in its entirety in DVD format on my notebook computer at work during the a.m. hours in March of 2005.
This fictional drama-thriller suggests the faults in the capital punishment policy. The film challenges to manner a murder mystery with deep idealistic thoughts on capital punishment, life's purpose, and one's profound suffrage for a cause. Dr. David Gale is a well established
professor, author, and head of the philosophy department at University of Austin. He was also an active member of an anti-death penalty activist group called Deathwatch. The group is a fictional one but not uncommon to real life. There are present day activist groups similar to this one is Austin as well as around the country. The professor's life is turned upside
down after a former student falsely accuses him of rape, latter regretting it, and his wife files for divorce and moves her and their son to Spain to live with her lover. After losing his position, reputation, and family he turns to alcohol for relief. When he seems to have hit bottom he is arrested and convicted for the rape and murder of his close friend Constance and sentenced to death. With only a few days until execution David requests an interview with a popular journalist named Bitsey Bloom. After receiving some mysterious evidence she is left with only days to uncover the truth about his innocence.
Although the film is a fictional one, it does address a real issue in the air presently: Should capital punishment be abolished? Whether one's for or against it, this movie should make one think about the issue but it
STUDY GUIDEUnit Three: FILM NOIR. Small Towns and Big CitiesReading Questions: McArthur. Chinese Boxes and Russian Dolls;" Krutnik. "Something More than Night"
The Media Arts Program offers a Bachelor of Arts in Media Arts Studies as well as a minor in Media Arts Studies. The application process is nearly the same for the Major and Minor with the exception of a few elements. The application process is an indication of the program itself; it requires time, critical analysis, creativity and outstanding performance in TMA 102 (Intro to Film Analysis).
Due to department resources, a limited number of students are accepted into the Media Arts program each year. Because of the University’s policy on high credit hours, students are allowed only two opportunities to apply to the Media Arts Program. This includes Major and Minor applicants.
Applications will be evaluated by:
The Media Arts Program is seeking students who embody the following qualities:
– Be accepted by BYU as a continuing day student: agree to uphold the ideals outlined in The Mission Statement of Brigham Young University, Church Educational System Honor Code, and The Aims of a BYU Education and accept them as a guide to all aspects of your academic and practical experience.
– Register as a Pre-Media Arts Major(Major Applicants only): in the Fine Arts and Communications Advisement Center in D-444 HFAC or by phone (801) 422-3777. After registering, visit the TMA Front Desk in D-581 HFAC to receive a TMA Discount Card that entitles you to one discounted ticket to certain theatre performances.
– Complete or be enrolled in TMA 102 during the semester you are applying. Applicants should complete TMA 102 with a grade of B or better. It is strongly recommended that transfer students register for or audit TMA 102, as it is an introduction to the skills necessary for the Media Arts Program. Students can apply to the program the same semester they are taking TMA 102; final acceptance is dependent upon successful completion of the course.
To begin the online application visit byutma.slideroom.com . You will need to create a Slideroom Account to access the application. Note: The application requires a $5 processing fee. You will be prompted for payment when you submit your finished application.
Start Online Applicaton
The online application consists of the following elements:
– Initial meeting with your faculty advisor. Faculty advisors are assigned by student’s last name. See the table below to find your faculty advisor and their contact information. Use this first visit to ask any questions about the program and the application, as well as discuss areas of interest and skill sets and the selection of possible electives. The way to meet with your advisor is during their office hours or to set up an appointment. To make an appointment, please send an email request.
First Letter of Student’s Last Name
– Create a graduation plan packet. Referring to the Media Arts Major or Minor Academic Plan, the Media Arts Course Frequencies List and the Media Arts Major or Minor Flowchart, create a graduation plan on the packet provided here: (Major Graduation Packet or Minor Graduation Packet ). Hard copies may also be picked up at the TMA office (D581 HFAC). These links can also be found at the bottom of this page.
Include all of your GE requirements, major/minor requirements, and Media Arts electives each semester until you graduate. Remember to take note of the semester each class is offered as well as prerequisites. (You are encouraged to discuss possible electives in your first meeting with your faculty advisor.)
– When your graduation plan is completed, they must be reviewed and signed by the CFAC Advisement Center (D444 HFAC)
– After your graduation plan has been signed by the CFAC Advisement center, you must meet with your faculty advisor a second time to have the packet reviewed and signed off on.STEP 3
– After you obtain all the needed signatures, digitize your graduation plan into a PDF and attach it to your online application. (There are scanners available in the HBLL or you can have our front office digitize it and email it to you.NOTE: To avoid a rush, the TMA office will only digitize documents up to a week before the submission deadline)
– Finish the remaining application elements online, pay the $5 processing fee, and submit the application before the deadline. Immediately after you submit your application, you will need to visit the TMA office to sign-up for an interview with our full faculty. Interview dates are listed above with the application deadline dates.
Students are notified if they are accepted about 4 weeks after applying.